Pistachio Parfait

I first made the adorable Parfait dress from Colette Patterns in a pink check. After I figured out how to do a small bust adjustment for this pattern, I knew I'd have to make another version of it.

This time I used a mint green washed silk. It feels amazing, like silky suede. It's from Paron Fabrics, one of my favorite stops in the Garment District. They have a gorgeous selection, and they always give you a generous cut. (They also give a student discount! I took a course at FIT last semester, so I definitely took advantage of that.)

Besides the sba (which you can see in this tutorial), I also made one other alteration: I omitted the tab closure on the straps, and sewed three little decorative buttons on each. This is an easy change, and I think it makes the dress just a little fancier.


I'm really happy with this version! The fit is so much better for me. I think the silk also makes it very glam, and a solid color really emphasizes the lovely lines of this pattern, especially the curved midriff. I love how this design can be either casual in cotton or dressy in a more fluid fabric. I think if you removed the pockets and made skinnier straps, this could be an awesome cocktail dress in charmeuse.

Oh, and I also used silk organza in place of regular fusible interfacing. The midriff section of this pattern is meant to be interfaced, and I noticed in my pink check version that on hot days, this feels a little clammy. I read in a Threads article that for summer clothing it's a good idea to use a natural fiber in place of interfacing since it breathes, unlike the fusible stuff. The organza was easy to use--I just cut it out like interfacing and then basted it to each corresponding piece of the fashion fabric. I think this will be a good summertime substitution!

Please note that I've made a couple updates to the sba tutorial. I forgot to add instructions for altering the adjoining pattern pieces. Not hard to do, but important. So make sure you check it out if you'd like to try this alteration! Even if you don't usually do an sba (and I don't, actually), I'd really recommend it for this pattern line if you're smaller than a C cup.

Also, I'm very excited that Sarai of Colette Patterns has agreed to do an interview with me. So check back for that soon!

Parfait SBA, S'il Vous Plait!

So, I've been promising a tutorial on a small bust adjustment for the Parfait dress from Colette Patterns, and here it is.


Here's what you need:

-a colored pen or pencil
-two pattern pieces: the front bodice and the front midriff
-pins
-tape
-paper
-seam gauge or clear ruler

In a nutshell, what you have to do is try on the pattern tissue, pinch out bust fullness, and then transfer those changes on the flat pattern. Make any sense?

To start, we're going to do a tissue fitting of the front bodice. At the seam allowances, pin together the front bodice pattern piece and the midriff piece. Very important: for the fitting, wear the bra that you plan to wear while wearing the dress. Also layer on top a very snug camisole or slip that so you can pin the pattern to you.

Pin the pattern piece to your camisole at center front, the side seam, and the top of the bodice, where the strap tab will connect. Don't forget to account for the 5/8" seam allowance.

As you can see, I've got some bagginess going on in the bust.


And on the side. See how the paper is wrinkling and standing away from my body? We need to get that sucker in.


We're going to temporarily pin the bagginess out in 2 places: 1) the side bust, where a bust dart would usually be, and 2) the top of the bust, extending from the armhole.

The first thing you need to do, though, is to mark the apex of your bust. Books often refer to the apex as the fullest part of your bust. An easier way to think of it is where your nipple is. There, I said it. All decorum is out the window now!

Use a pin to mark the apex. (I forgot to mark mine while I was wearing it, but you get the point, right? [Hee hee. Point.])

Now, start pinching out extra fullness in the bust, first at the side, then at the armhole. Have your tucks radiate toward the apex. Here's how it will look:

And a view from the side:


When you're satisfied with your fit, take the tissue off and set it on your work space. Mark your apex with a circle. Use a seam gauge to measure the depth of each of your tucks at the widest part of the tuck. (You only measure one side, so you're getting half the amount you tucked out).



Record your measurements. Here are mine:

Tuck at armhole: 5/8 inch
Tuck at side bust: 1 - 3/8 inch

Keep your measurements handy, and remove all pins from the tissue. Smooth out the front bodice piece. Now you're going to mark two lines to alter on your pattern.

First, imagine where a bust dart would be if this pattern had one. Extend a line horizontally from the apex point. (You'll see that I apparently had trouble locating my apex--oops!-- so there are two circles. Only pay attention to the one in pen, with the lines extending from it.)

Second, mark a point halfway up the armhole. Extend a line from the apex to this point.


Cut these lines, leaving a hinge at the apex.


Overlap each of the lines the amount of your measurements you recorded earlier. Tape the overlapped pieces down.


As you can see, there will be a little wrinkling around the apex. Eliminate all the wrinkles you can and then smoosh the piece down with your iron so it lies flat. (Yes, smoosh is the technical term.)


Finally, true up the lines on your pattern. Tape the altered pattern piece down to a clean sheet of paper. Draw a new side seam and armhole seam to smooth out the jagged edges. You can see where I've done this in blue marker.



This is your new pattern piece! I'm going to make a muslin of the two patterns pieces we used earlier. (Actually, it's fabric from an old curtain. I'm just like Maria Von Trapp! Scarlett O'Hara!) If you're using expensive fabric for your dress, I suggest you do the same.

See? Nice and fitted!


That's all there is to it. You can use these principles on lots of other patterns as well. The method I used for the Macaron dress is a little different (since the front bodice piece is longer), and I'll do a tutorial on that one as well.

Update: I forgot to mention two other changes you'll need to make so that the new, adjusted front bodice piece will fit with the rest of the pattern. Here's all you need to do:

1. Lay the front facing over the top of the new front bodice piece. You'll notice that it will no longer match up between where the strap attaches and the side seam. All you need to do is tuck out the extra width from the facing piece and tape or pin it in place. Now it will match up with your front bodice piece.

2. The other piece affected is the back bodice piece. The back bodice edge will now be too long for the front bodice piece. So, just lay the two pieces (the front and back bodice) next to each other, as they would be sewn, matching them first at the bottom of the pieces. You'll have some extra height on the back bodice piece. Measure how much extra you have. Mine was 3/4". So I just used my clear ruler to shorten the back piece by 3/4" along the top. Your back piece will be shorter now, but I found that this worked better in proportion to my upper body size.

Let me know in the comments if you have questions!

Je T'aime, Colette Patterns!

Colette Patterns is a new line of sewing patterns from Sarai Mitnick of Portland, Oregon. When I first saw them, I knew it was love. More Anthropologie than Ann Taylor, these patterns are gorgeous, vintage-inspired, and best of all, come in the most adorable and amazing little stitched booklets with watercolor illustrations!


The first season has five patterns (four dresses and a skirt), and I immediately snapped up three of them. I made the Parfait dress in a pink seersucker check from B&J, and I have to say I'm over the moon about the pattern. The drafting is great, the instructions are awesome, and the aesthetic is so beautiful. Look at the little gathered patch pockets! Also, a view of the back (you can also catch a glimpse of kitty in the lower left hand corner).

The only change I made to the pattern was to cut the pockets and midriff pieces on the bias to add a little visual interest.

If you're interested in trying Colette patterns (and you should!), one thing to note is about the sizing. I cut an 8 in the bodice, and transitioned down to a 10 in the skirt. The sizes are closer to ready-to-wear than traditional sewing patterns, and they're made for the very hour-glass shaped. Sarai says she drafts bodices for a C cup, and makes sure they can fit a D as well. I am neither of those (understatement of the year alert), and as a result the fit is a bit off in the bust.

I just learned how to do an sba (small bust adjustment) from Fit For Real People and I am SO psyched to try it out on this pattern. It's like magic! Next up is the Macaron dress, and then I think I'll redo the Parfait in this lovely washed silk I have--it's the color of pistachio ice cream. Yum!